Hydrangea No. 2 Archival Art Print by Susan Gordon - 8 x 10

A pale blue flower head rises above a long stem and green leaves in Hydrangea No. 2. Signed and numbered by Susan Gordon, this archival watercolor reproduction belongs to Volume III: Antique Hydrangea and comes in framed or unframed form.

“I would use the long hydrangea stem to bring height into a small picture grouping. A lower object beneath it can carry the blue or green into the rest of the arrangement.”
-Mrs. Mayfair

Product Details

• Measurements & Options: Artwork: 8 x 10 in.
• Measurements & Options: Framed options: viewable image area 7.5 x 9.5 in.
• Art & Framing: Heirloom Garden Floral Studies, Volume III: Antique Hydrangea.
• Art & Framing: Archival reproduction of an original watercolor by Susan Gordon; limited edition, signed and numbered by the artist.
• Art & Framing: Framing choices: Unframed, Classic, Bamboo or Trellis.
• Included: Unframed Print option: one print without a frame.
• Included: Classic Framed Print, Bamboo Framed Print or Trellis Framed Print option: one print in the selected frame style. Display stands and other artwork are not included.

Care & Ownership

Keep in a dry place away from direct sunlight and extreme temperatures. Handle an unframed print with clean, dry hands at the edges and store flat in a protective archival folder until framing. Dust the frame gently with a soft microfiber cloth; keep water and cleaners away from the artwork and frame openings. Use secure fittings appropriate to the wall when hanging.

Maker / Heritage

Susan Gordon began her pottery business in a basement studio in 2013, bringing a background in ceramic sculpture and abstract painting to practical household objects. Her experience with paint still informs the gestures and surfaces of the work. In 2019 she opened a storefront and studio in Homewood, Alabama, where making and showing the pieces could sit together. The pottery passes through making, smoothing, glazing, gold decoration, sanding and a final check, with more than five pairs of hands and eyes involved. The hydrangeas outside her first garage studio became a recurring source of imagery, connecting the flowers of everyday life to the work of her hands. Her signed and numbered archival prints reproduce her original watercolors.